Dubai’s heritage and culture for future generations Essay

There has been a sufficient mention of a weighty dearth of liaison in preserving Dubais inheritance and culture for incoming generations. The severity of Dubais ethnic problems (both current and impending) is an overwhelming testament to the shortfalls of versatile cultural players. Dubais cultural scene is beset by issues ranging from living to the non-existence of a governing agency on cultural arts and activities. The want of funding allocation for Culture, hereditary pattern and the liberal arts hampers government organizations from awarding prizes for artistic/literary achievements and awarding subsidies for the rocking horse of the Arts.This phenomenon holds true for the Fine Arts and mankindations although the UAE government has accorded ample financial support for feasts like the Dubai Shopping Festival and Dubai Summer Surprises and theatrical infrastructure improvements. Support for Folklores Promotion and archaeology and Heritage Campaign, however, has not b een reasonable folklore presenters being imported from Oman and Archeology and Heritage specie mostly channeled to administrative expenses.Education, being an essential tool for information dissemination, interest stimulation, and revolutionary change has not been aptly utilized to impact artistic/cultural perspectives among Dubais youth. This has pivotal implications for both the quality and availability of natal workforce in that line. There argon limited schools for Drama and Theatre, Music, and Folklore. donnish trainings for Archeology and postgraduate courses for Media are unavailable in the United Arab Emirates. meagerly emphasis is given to Fine Arts, Literature, Folklore, and Heritage in school curriculums. commercial-grade Music Institutes, more than being of questionable quality, are beyond affordability by some Dubai residents. Lack of public interest is often the offered rationale for these schoolman limitations, although initiatives focused on the dilemma could gravel sparked a re cleaned public interest in Culture and the Arts. This dearth of public interest has crucial implications for the composition of Dubais cultural workforce and the artistic/cultural lodge among the populace. The Nationals interest in theatre and performing arts is in congruity with the number of theatrical activities providers- both are limited.Dubais Fine Arts Exhibits showcase some unique talents and the artistic experience. However, the arena is beset by commercialism and a lack of appreciation among UAE nationals. Expatriates are more wounding on Emirate Arts which benefits from an artistic enthusiasm peculiar to a wealthier beau monde segment. Dubais Musical Arena is characterized by a musically-inclined, musically-upbeat society, and a commercialised musical education system. Songs and dances are an important fortune of celebrations, and there is an exuberant demand for international concert seats.Inadequate project experience and watertight public par ticipation, however, marks Dubais lead Scene. The launching of the International Film Festival in 2004 and the Dubai Studio City Project are predicted to experience a strong reception on Dubais film, TV, and music industries. Dubais literary domain, mainly focused on poetry, is not supportive of the instruction of intellectuals and thinkers. Government-sponsored poetry awards are an insufficient compensation for the limited career prospects for literary productions graduates.Festivals in Dubai such as the Dubai Shopping Festival and the Dubai Summer Surprises have acquired an international reputation, drawing tourists from the Middle East and beyond. However, a highly-trained festival-hosting workforce stands in stark contrast to the unprofessional and poorly-trained folklore performers, mostly from Oman. While Dubais rapid economic growth has made it a preferred destination for personal credit line meetings and international events, its vantage for exhibiting local anestheti c folkloric performances to an international audience has not been fully utilized.It is quite ironic in that part of the reason of the businesses choice of Dubai is the pursuit of some Mideastern charm. Restoration attempts on Dubais historic buildings and the circulation of accompanying brochures and maps in multiple international languages are commendable efforts at giving tourists a glimpse of its ancient glory. The aforementioned measures are necessary to take vantage of Dubais vantage in the highly-competitive heritage tourism industry.However, the unavailability of Archeology programs in the UAE academe, and hence, the dearth of local Archeology specialists consequence in kick out archeologists having to send artifacts to their respective countries for research/examination. Dubais Media Sector, with its state-of-the-art infrastructure and receptivity to competition, is in a struggle between strange ownership and foreign workforce domination and calculated guardianship mea sures against Western infiltration. The media hub, albeit accommodating of the urban centers cosmopolitan composition, suffers the dearth of a commercialized local cultural content.Islam is highly-inculturated and educationally-integrated in Dubai amidst its policy of accommodation and support to non-Muslim, expatriate religions. It is only a sober fact that the beauty of Islam has been overshadowed by negative perceptions pertinent to Terrorism. By and large, Dubais Islamic atmosphere, liberal for its multicultural make-up, is aptly guided by the Islamic values of tolerance and moderation. Technology can accord Dubais Arts and Culture a distinct vantage, but it can in like manner effect otherwise.Electronic proliferation is a global trend, and cultural domination loveseat high-technology is way unpredictable. It would also be of interest to note of the inadequate coordination among mixed cultural and arts providers and between Dubais public and private sectors. Dubais cultural sc ene is oblivious to common notice because of the dearth of literature in the subject the absence of data on usage, patterns and p filename extensions and the paucity of surveys and researches are common themes that beset Dubais cultural components.It is ironic that cultural/heritage problems prevail in Dubai, while the United Arab Emirates as a unanimous advocates culture and heritage. In the UAE, the preservation of many of its unique archaeological and architectural sites and its manuscripts have been given special preference. Literature and customs are astray studied in schools, while museum displays, heritage villages and the restoration of vanished monuments (based on photographs, local memory and documentary evidence) have helped to create a context and sapidity for this cultural legacy .It appears that most of the cultural development is occurring in Abu Dhabi in 2005 a law was passed in this city planting Abu Dhabi Culture and Heritage Authority. This new Authoritys goal is to sponsor intellectual and artistic activities and hold back the cultural heritage of the Emirates. This entails directly promoting Abu Dhabis cultural heritage, drawing up and implementing cultural policies, plans and programs, reviving cultural heritage projects, and organizing exhibitions and conferences on cultural heritage 1.Abu Dhabi signed a Memorandum of Understanding (MOU) with the New York-based Guggenheim Foundation to establish a world-class museum devoted to modern and contemporary art, called the Guggenheim Abu Dhabi (GAD), the museum designed by the eminent architect Frank Gehry will place the Emirates as a leading international cultural destination22. The researchers have asserted that situated in the center of Abu Dhabi, there is a pagan Foundation which is now part of the Abu Dhabi Authority for Culture and Heritage (ADCH) this, at the heart of the capitals cultural life benefits children, adults of all ages, UAE citizens and expatriates.One of the most sign ificant features of the Cultural Foundation is the National Library which has well over a zillion books, primarily in Arabic, although there are also collections in a myriad of foreign languages. A majority of these volumes are available for reference for the public, plainly requiring a simple registration process. There is also an stadium for children where special programs are planned, especially during the school holidays2 . It is apparent that the culture of Dubai should be promoted in the same manner perhaps these cities could share wealth in culture preservation through the Fine and Performing Arts and the Media.