Chapter 17 Scarlet Letter Analysis

Mira Susa, Jennifer chisel Mr. Jordan AP Language and Composition 19 November 2009 Chapter 17 Chapter 17, The Pastor and His Parishi wizardr, of The Scarlet Letter, starts finish with Dimmesdale returning from his journey through the dark forest, upon which Hester waits faithfully for him out of the ordinary eye, and much importantly, Chillingworth. The scene is sour it is noon, however, the sun is shaded by a fuzzy sky and the thick foliage of the forest, transforming it into a gray twilight.The moment passes when they showdown face to face after seven years of the punishment Hester has been given. They work coldly until Dimmesdale, with fear and reluctant necessity, grabbed Hesters hand, which broke the dreary incision of the encounter. Afterwards, they sit near a brook on a the great unwashed of moss and engage in casual conversation, until they start talking about hit the hayledgeable peace, or more specifically, whether they see any inner peace. Dimmesdale has not engraft any from his hypocrisy and sin. He says he kindlenot console some others about their sins when he is sinful.Hester says he does umteen good whole kit and caboodle and his sin should be leftover behind. Dimmesdale on the other hand wishes that he has someone, a friend, he could console in and tell his sins this would keep his soul alive. Hester claims she could be that partner, only a alike(p) warns he has an enemy close to him, even under the same roof. Dimmesdale is shocked. Hester realizes what enigmatical injury she has caused to Dimmesdale, a sensitive soul, to a point where the alienation from law is causing him to go mad.Roger Chillingworth is finally revealed to be a deception of goodness, and Dimmesdale sinks to the fuse and buries his face in his hands in struggle. Because of the betrayal he feels, he says he will never be able to forgive Hester. Hester rebukes this by axiom that he needs to forgive her because it is God who will punish. Then, in sudden and desperate tenderness, she took hold of Dimmesdale and placed him against her bosom, on the scarlet letter. She cant bear to see Dimmesdale frown.After he rests on her bosom, Dimmesdale at last forgives Hester for the reason that Chillingworth is more sinful than both Hester and him. She says that what they did had a consecration, revealing that it was governed and fulfil most likely by God. liveliness is tough for them, but they serve to love to each one other. Dimmesdale, once again, cannot think for himself, and asks for advice on what to do with his circulating(prenominal) situation. Hester says for him to run the town and return to Europe once again. Dimmesdale says he is powerless(prenominal) and cannot go because he cant quit his post.Hester says he whitethorn re in the raw his life, for life is full of trials, and that there is more good works to be done. Switch names, move on. He cries out he must(prenominal) die, for he cant venture into the human beings alone . Then, in a abstruse whisper, Hester says he will not go alone. Analysis Hawthorne uses several(prenominal) rhetorical devices to reach his purpose to instantly relate Puritan pictures and quixotic beliefs through Hester and Dimmesdales love and forgiveness of one another. Hawthorne uses imagery and diction, metaphors and similes, foreshadowing, raillery and allusion to get his point of view across.The settings of the forest be dark and gloomy even though it is only noon, which represents Puritanism, but Dimmesdale and Hester see each other in a diametrical light, like former lovers of a different world, which represents ro forgiving beingstic beliefs. Hawthorne uses phrases like shadow of the woods to further explain the setting however, a gleam of romanticism shines when they sit on a bus of moss. He uses powerful images, such as Dimmesdale gasping for breath, clutching at his centre of attention, to express deep emotion. Dimmesdale is described as having a magnetic sp here of sensitivity, and also a unrelentinger or a fiercer frown. Hester has firm, doleful eyes, and Dimmesdale is a pale, weak, sinful, and sorrow-stricken man. They sit hand in hand on the mossy trunk of a fallen tree, which represents the untested growth from a hard past. As for metaphors and similes, Hawthorne uses them to express emotions. He expresses the prototypic meeting of Hester and Dimmesdale as two ghostwriters, and Dimmesdale puts his hand towards Hesters as demoralise as death. Dimmesdale describes the emotion of standing in the pulpit, being watched by many eyes towards his face, as if the light of heaven were beaming from it He clutched his heart as if he would have torn it out of his bosom. Chillingworth is put into a metaphor describing him as a poison. Chillingworths revenge is described as has been pitch-darker than my sin. Hester describing yellow leaves will show no vestige of the white mans tread indicates a metaphor for change, and how he can leave his past behind. Hawthorne uses examples of foreshadowing such as, the gloomy sky, the threatening storm, and, next, the health of each for rhetorically effective writing.An example that includes foreshadowing, a gigantic with imagery and metaphor, reads, while one solemn old tree groaned dolefully to another, as if telling the sad story of the pair that sat beneath, or constrained to forebode annoyance to come. It describes Hester and Dimmesdale as trees groaning against another, merely describing there might he evil to come. Dimmesdale crying, I must die here is another example of foreshadowing directly related to death. Irony is shown through examples such as, That old mans revenge has been blacker than my sin.He has violated, in cold blood, the sanctity of a human heart. He, in cold blood (intentionally and emotionless), has done a aggrieve to Dimmesdale, but also literally, in the physical sense, has in blood done wrong to Dimmesdale. It is also ironic when Hester is gi ving advice to Dimmesdale that he should leave and move frontward towards a different world, when she herself has not done so and does not know the extent of what is to happen. Lastly, Hawthorne uses a Biblical illusion, related to the Puritans, for a romantic subject, going away the native land.When Hester says, Then there is the broad pathway of the sea it is alluding to Moses leave of absence of the Red Sea. Graphic The symbol of Hester and Dimmesdale close together, up at the result of the page, is outlined in light blue to express idealistic desires because they are spirits in white in Heaven. The forest trees are black from the judgmental settings of the Puritans, but the tree leaves are red to express Hester and Dimmesdales passion, blood and love. The road is paved smooth but spotted and mussy because of Dimmesdales and Hesters past road, but is depicted orange for their next ambitions.The two hands is an allusion to Michelangelos Creation of Adam, and is surrounded by black for the evaluation and law of sin that Adam has created in the beginning of time. The bollock is a representation of the world, in which Hawthorne does not call a world but a sphere, which suggests that Dimmesdale and Hester have left there earth-bound world to something spiritual. They have a magical connection, depicted in purple however, it is rung more or less in white to represent the holiness, peace, spirituality, and hope of their love. The fallen brown log, give tongue to in the chapter, is represented as tradition.The moss is a representation of their fallen or seemed to be fallen, past and wrecked future, but the green moss suggests a new beginning. Quotes It was no wonder that they thus questioned one anothers essential and bodily existence, and even doubted of their own. So strangely did they meet, in the dim wood, that it was like the first encounter, in the world beyond the grave, of two spirits who had been virtually connected in their former life, but now stood coldly shuddering, in mutual dread as not yet familiar with their state, nor habitual to the companionship of disembodied beings.Each a ghost, and awe-stricken at the other ghost This adduce initially explains the Puritan settings, dim wood, coldly shuddering to a romantic belief, intimately connected, companionship. This quote binds the chapter to the theme of the book Hawthornes dead reckoning of Puritanism and Romanticism developed within the story. They sat down again, side by side, and hand clasped in hand, on the mossy trunk of the fallen tree.Life had never brought them a gloomier hour it was the point whither their pathway had so long been tending, and darkening ever, as it stole along and yet it enclosed a charm that made them linger upon it, and claim another, and another, and, after all, another moment. This quote explains the entire chapter of romantic belief by describing the love between Hester and Dimmesdales love. It explains how they are in the worst ti me of their relationship, with a long and extortionate past, but their mutual desire for each other keeps them with one another, postulation for more. Leave this wreck and ruin here where it hath happened. Meddle no more with it Begin all anew Hast thou exhausted possibility in the failure of this one trial? Not so The future is yet full of trial and success. This quote, spoken by Hester, explains the hope of beginning anew, a romantic belief. However, it is spiritual in the religious sense by saying that as ones life moves on, it can become less sinless there are many trials, leading to successes. Also, it explains how God wants pot to love life, to do more good, and to enjoy happiness.